A production studio's website has one job: make people believe in the studio's taste before they see a single frame of work. PANTHERKLAW needed a site that felt like the films, not like a brochure about them.
Creative studios are judged on craft instantly. A generic template - however well organised - actively costs a film brand work, because clients read the website as a sample of the studio's eye. The brief was atmosphere first: the site itself had to be a piece of the portfolio.
We went fully dark and kinetic. A WebGL particle field sits behind the type so the page has depth and motion without a single stock image. Typography carries the weight: oversized, confident, sparse. Everything that could be decoration was removed so that motion and scale do the work - the same discipline a good title sequence uses.
A site that reads as a statement rather than a directory. The brand mark, the darkness and the movement do the positioning work in the first two seconds, which is all a scrolling prospect gives you.
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